The author claims to have used only a very short prompt: it fixes 30 seconds, 24 hard cuts and ultra-wide only, then lists camera positions that are "already waiting" at each beat, trading minimal instructions for dense editing.
30s, 24 hard cuts, omnipresent camera, ultra-wide only. Woman in red leather on a red futuristic motorcycle racing a black armoured truck through a wet future city, then under a falling red-white mecha, then out of a skyline explosion. Each beat is a new angle already waiting: under the tyres, above the towers, inside the tunnel, across the face, behind the blast. Same bike and rider every shot. Photoreal, cold daylight, orange fire, no dialogue, no text.
30초, 하드컷 24번, 어디에나 존재하는 카메라, 초광각만 사용. 붉은 가죽 차림의 여성이 붉은 미래형 오토바이를 타고 비에 젖은 미래 도시에서 검은 장갑차와 질주하다가, 추락하는 붉은색과 흰색 메카 아래를 지나 스카이라인의 폭발 속에서 튀어나온다. 각 비트마다 이미 기다리고 있는 새로운 앵글이 있다. 타이어 아래, 빌딩 위, 터널 안, 얼굴 정면, 폭발 뒤편. 모든 샷에서 같은 오토바이와 같은 라이더. 포토리얼, 차가운 낮 햇빛, 주황색 불꽃, 대사 없음, 텍스트 없음.
✍️ Editor’s Notes
This prompt is only a few sentences long and works by putting the rules first. The opening line writes total length (30 seconds), cut count (24 hard cuts) and the ultra-wide-only restriction as hard parameters, so the editing rhythm is set before anything else. The key trick is the line saying each beat is a new angle that is already waiting. Instead of describing camera moves, it lists five kinds of position, under the tyres, above the towers, inside the tunnel, across the face and behind the blast, so each cut reads as a different camera in place rather than one camera flying around. The plot is strung on three destinations: chasing the truck, passing under the falling mecha, bursting out of the explosion, each one a scene anchor. "Same bike and rider every shot" is the consistency insurance that 24 cuts really need. The closing look and sound constraints are restrained: cold daylight, orange fire, no dialogue, no text. The reusable idea is controlling pace with a few hard parameters plus a list of camera positions, rather than writing long descriptions.
Want tighter control? Editor-expanded reference version (not the original prompt):
Overall: 30 seconds, 24 hard cuts, about 1.2 seconds per shot, ultra-wide throughout, no pushes, pulls or pans. Speed comes from the cutting.
Opening (0-8s): a rain-slicked future city street in cold daylight. Shot 1 is ground level, looking up from beneath the tyres with spray flying. Shot 2 looks down from a tower top as the red motorcycle and black armoured truck race side by side through an intersection. Shot 3 is ahead of the traffic, catching the rider's face in profile as the red leather catches the light.
Middle (8-18s): a red-and-white mecha falls from the sky and its shadow sweeps across the street. Cuts move to the tunnel entrance, then head-on inside the tunnel, then a close angle of the wheel scraping past the truck body, with mecha wreckage landing behind.
Climax (18-26s): the motorcycle bursts out of an explosion on the skyline, with orange fire and a shockwave chasing from behind. Cuts alternate quickly between behind the blast, across the rider's face and an aerial downward view, and the last shot has the bike landing steadily.
Consistency: every shot shows the same red motorcycle and the same rider in red, and the truck stays black.
Sound and limits: only engine, tyre, explosion and metal-impact ambience. No dialogue, no text, photoreal texture.
