Mechanical Raven Over the Ruined Megacity · A 15-Second Sci-Fi Trailer

Seedance 2.5Sci-FiPost-ApocalypticMechaActionVFXEpic15s
A trailer-style montage: it opens on a shush gesture, a mechanical raven dives, the hero leaps off a rooftop and is snatched by a mech, then falls with an energy rifle and lands on a planted sword as an orange-and-blue fireball erupts behind him.
PROMPT · Video Prompt
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Cinematic 15-second sci-fi trailer, photoreal, anamorphic, overcast ruined megacity. A sweaty East Asian man in his 30s with messy black hair, round wire glasses, a scar on his cheek, and weathered tactical armor with glowing cyan strips presses a gloved finger to his lips in a shush, city skyline behind him. Cut to storm clouds as a massive mechanical raven with blue eyes and metal talons dives. He leaps from a collapsing rooftop beside the bird, then is snatched midair by a larger armored mech. Wide shot: the winged machine soars over a burning avenue of crumbling towers, embers and debris in the air. Close-up of his fingerless glove reaching toward curved steel claws. He freefalls through smoke aiming a crackling cyan energy rifle. He slams down in a wide stance on cracked asphalt, planting a huge ornate sword that glows electric blue at the tip. Behind him a colossal orange fireball mixed with blue energy bursts erupts between ruined skyscrapers, shockwave, flying concrete, smoke. Moody daylight, high detail metal and fabric, motion blur on wings and explosion, no text.
✍️ Editor’s Notes

A typical trailer-style single paragraph with no Shot markers. Transition words such as 'Cut to', 'Wide shot:' and 'Close-up of' string a dozen actions together, so shot order depends entirely on sentence order. The shush gesture opens by introducing the character and setting a restrained mood. His look is compressed into a few visible traits: sweat, messy hair, round glasses, a cheek scar, glowing cyan strips, which is recognizable without taking much space. The mechanical raven, the bigger mech, the energy rifle and the glowing sword arrive one after another, each escalating, and the orange-and-blue fireball at the end echoes the cyan strips and blue eyes from earlier. The closing 'moody daylight, motion blur on wings and explosion, no text' gathers light, texture and the prohibition in one line. Worth borrowing: use transition words as shot labels and write the escalation into the order of actions.

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