Obsidian Elixir · Luxury Perfume Ad

Seedance 2.5AdvertisementTV CommercialCreativeRain SceneNeon NightMacroTelephotoFilm Grain10s
A 10-second perfume campaign film for the fictional brand "MAISON LUMÉA," with the prompt directly calling for the standard of a "Parisian haute couture art team, jewelry-grade product photography." The full adjective toolkit of luxury advertising is right here.
PROMPT · 视频提示词
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Generate video: generate a 10-second high-end luxury perfume commercial for an original fictional luxury perfume brand "MAISON LUMÉA," product name "Obsidian Elixir 黑曜鎏金香水" (Obsidian Elixir). The overall look must convey a top-tier international perfume campaign quality, as if created jointly by a master-level director, a luxury creative director, a top cinematographer, a Parisian haute couture art team, a jewelry-grade product photography team, and a cinema-grade post-production house. The visuals must look like a flagship brand commercial with a budget in the millions — extremely high-end, mysterious, sensual, expensive, and restrained, carrying the character of "night, molten gold liquid, velvet, firelight, and rare fragrance." No real brand logos may appear, no imitation of existing perfume brands, no cheap e-commerce-style imagery, no livestream-style product display, no cluttered captions. Video aspect ratio 16:9, duration 10 seconds, cinematic photorealistic style, ultra-high-end commercial advertising photography. The primary palette is deep black, obsidian, dark gold, amber gold, faint wine red, and ivory-white highlights. The image should be overall dark, with extremely precise lighting used to sculpt the perfume bottle with minimal highlights. The texture should reference top-tier perfume ads, jewelry ads, red-carpet haute couture campaigns, and museum-grade still-life photography: large areas of black negative space, understated luxury, velvety shadows, with the golden liquid looking like a flame sealed within obsidian. The overall feel must never be loud, gaudy, cyberpunk-neon, overly purple-blue, or plasticky. Product design: an original high-end perfume, "MAISON LUMÉA Obsidian Elixir." The bottle is made of thick, obsidian-textured glass, nearly black but with a faint translucent smoky-grey refraction at the edges; the bottle's silhouette is clean and sculptural, like a piece of architectural art. Inside the bottle is a deep amber-gold perfume liquid, which under light reveals rich layers reminiscent of honey, aged cognac, and molten gold. The cap is dark gold metal, restrained in form, with a fine brushed-metal texture, topped with a small inset piece of black crystal. The front of the bottle may bear the minimalist brand name "MAISON LUMÉA" and the smaller product name "Obsidian Elixir" — the text must be refined, centered, and understated, like genuine silkscreen printing on a high-end perfume bottle; no garbled characters, not too large, not sticker-like. Setting: the perfume bottle sits on a display stand where black velvet meets an obsidian mirror-stone surface, against a very dark Parisian nighttime interior — like a private salon, a candlelit room in an old palace, or a high-end custom fragrance laboratory. In the distance are blurred candle flames, dark gold picture frames, black drapery, a touch of smoke, and faint flower-petal silhouettes, but the background must stay out of focus and never compete with the product. Extremely fine golden fragrance particles float in the air, as if the scent itself were made visible — but this must be very restrained, realistic, and elegant. No human face may appear directly on camera; a fleeting blur of black silk or a haute couture hemline sweeping past is allowed as atmosphere, but the product must always remain the absolute protagonist. Shot design: 0-2 seconds: Starting from total black, the frame contains only a narrow, warm beam of golden light slowly sweeping in from the upper left, first illuminating a soft fold on the black velvet surface. The lens is extreme macro with very shallow depth of field, revealing the velvet's nap and the extremely fine fragrance particles floating in the air. Then the bottom edge of the obsidian glass bottle is traced by the light into a sharp highlight — the audience still cannot see the full bottle, only sensing an opening that feels expensive, mysterious, and deeply ceremonial. 2-4 seconds: The camera slowly rises and gently pushes in, gradually revealing the obsidian glass bottle. The edges of the bottle show a deep smoky-grey translucent refraction, while the center is almost too black to see through; inside, the amber-gold liquid looks like a low-temperature burning golden flame as light passes through it. The bottle surface has an extremely clean mirror-like reflection, with distant candle flames forming small, soft, expensive points of light within the glass. The camera movement must be stable, slow, like a cinema mechanical-arm shot — never shaky. 4-6 seconds: Cut to an extreme close-up of the perfume liquid. The golden liquid inside the bottle moves slightly, like a blend of honey, amber, and molten gold — thick yet elegant. Light passing through the liquid creates complex refractions, with tiny golden ripples along its edges. A few wisps of very faint smoke slowly rise near the bottle opening, within which are vague, abstract silhouettes suggesting black rose petals, vanilla pods, and amber resin — but these must never become an obvious pile of literal props, only an abstract impression of the scent's notes. This segment must be extremely sensory — the audience should almost be able to "smell" the fragrance. 6-8 seconds: Cut to the full product hero shot. The perfume bottle stands at a three-quarter angle on the obsidian display stand, the dark gold cap precisely lit by a narrow beam, the golden liquid inside glowing with a deep luster. Black velvet naturally drapes down behind the bottle, distant candle flames blurred into tiny golden points of light. A few black rose petals slowly fall in the frame, but only a very small number, falling in an elegant trajectory — not like a wedding petal shower. The camera slowly orbits 15 degrees from a low angle, forming a sculptural product entrance. 8-10 seconds: Final freeze-frame close. The perfume bottle is centered slightly right, with high-end black negative space preserved on the left. The brand name "MAISON LUMÉA" on the front of the bottle is clear but understated, with the smaller product name "Obsidian Elixir" beneath it. In the last second, a warm golden highlight glides from the cap down the bottle body, then passes through the golden liquid, forming a brief, restrained, expensive gleam of molten gold. Fragrance particles float slowly around the bottle, and the frame holds on an extremely still, extremely luxurious, extremely collectible moment. Cinematography requirements: use cinema-grade commercial advertising photography language, ARRI Alexa 35 or equivalent cinema camera texture, combining 85mm and 100mm macro lenses, shallow depth of field, authentic lens breathing, precise light control, black flags for shaping light, a narrow beam of golden key light, soft candlelight reflections, velvet shadows. Sharpness should concentrate on the bottle edges, the metal cap, the liquid's refraction, the brand lettering, and the obsidian glass texture. The background must stay soft and out of focus, never distracting. Lighting requirements: low-key dark-scene lighting, using minimal light within the black space to sculpt the perfume bottle. The key light is a warm, narrow golden beam, fill light extremely weak, with a touch of cool white rim light to give the obsidian glass edges more dimension. Candle flames serve only as distant ambient light, never illuminating the whole room. Highlights should be delicate, smooth, and expensive-looking — never overexposed, never flickering cheaply, no rainbow-colored stray light. Shadows should be rich but still preserve the bottle's silhouette. Material requirements: the obsidian glass must be thick, realistic, and semi-translucent, with refraction and mirror-like reflections; the metal cap must have a dark-gold brushed-metal texture, not shiny yellow plastic; the perfume liquid must look like a high-concentration amber-gold fluid, with depth and fluidity; the velvet must be soft with layered dark tones; the stone display stand must be black and mirror-polished, with restrained reflections. All materials must look like genuine high-end live-action footage, never like 3D stock assets, never cheaply rendered. Motion requirements: overall movement must be extremely slow, extremely stable, extremely restrained. Allowed motion includes: light slowly sweeping across, the camera gently pushing in and orbiting, the golden liquid moving slightly, smoke slowly rising, a few petals slowly falling, fragrance particles gently floating. No fast cutting, no bottle spinning too forcefully, no liquid splashing, no exaggerated explosions, no magical effects, no floating product, no camera shake. Post-production texture: cinema-grade color grading, high-contrast dark tones, clean blacks, gold that's rich but not oversaturated, almost no skin-tone elements present, the overall feel like a flagship ad for a haute couture perfume launch. Add very subtle film grain, soft highlight bloom, and authentic lens vignetting, but never dirty, never blurry, never overly vintage. The final piece must be usable as the key visual advertisement for a luxury perfume launch event, with an artifact-like level of refinement. Sound design (as a reference for visual rhythm only): low cello/string tones, faint glass resonance, soft breathing sounds, the faint crackle of flame, one extremely light final metallic note. Although only a video is being generated, the visual pacing should still feel supported by a high-end score: mysterious build-up in the first 4 seconds, sensory eruption at 4-6 seconds, product entrance at 6-8 seconds, brand freeze-frame at 8-10 seconds. Negative requirements: no real brand logos may appear; no elements from real brands such as Chanel, Dior, Guerlain, Tom Ford, YSL, etc.; no garbled text, no misspellings, no long blocks of captions, no promotional slogans, no prices, no buy buttons, no e-commerce backgrounds, no livestream-style lighting, no cheap glass bottles, no plastic caps, no overly bright yellow-gold color, no cluttered tabletops, no ordinary bathroom or mall-counter settings; no human figures stealing focus, no hand deformities, no bottle distortion, no liquid clipping through the glass, no overly thick smoke, no excessive petals, no low-resolution image, no overexposure, no camera shake, no AI-style distortion. The overall feel must be as mysterious as obsidian, as luxurious as molten gold, as restrained as Parisian haute couture, and as polished as a million-dollar production. 16:9, 10s Quoted post — PixelAIGC @PixelAigc · August 9 What's the scariest gap in AI video? It's not the model — it's taste and prompt-writing. For the same 10-second perfume ad, some people are still writing "premium, cinematic, 8K," while others have already started breaking down lighting, materials, camera work, scent imagery, and brand freeze-frames with a director's-team-level logic. This is an original luxury perfume ad I generated with Doubao: MAISON LUMÉA Last edited · opened edit history
✍️ Editor’s Notes

这条是奢侈品广告词里少见的“全流程创意简报”写法,从产品命名(虚构品牌MAISON LUMÉA)、材质设定(黑曜石玻璃、暗金瓶盖、琥珀金液体)、灯光方案(窄束金色主光、黑旗遮光、冷白轮廓光)到后期调色全部写全,等于把香水广告创意总监、摄影指导、灯光师三个角色的简报文档拼在一起喂给模型。时间轴每两秒一个关键帧,严格对应「神秘铺垫→感官爆发→产品登场→品牌定格」的经典广告叙事四段式,即使不生成声音也要求画面节奏「像有配乐支撑」,这是在用文字模拟蒙太奇的呼吸感。负面清单里点名不能出现Chanel、Dior等真实品牌和「直播间产品展示」这种廉价既视感,说明作者对高端定制类广告最容易滑向电商风的风险点认知很清楚。附带的社媒引用文本其实是原作者晒图配文,混进了prompt正文里,也从侧面说明这条词是作者验证过审美调性、值得反复复用的成熟模板。

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