The prompt is just three sentences: use the two characters from Kling MCP Elements to make a one-minute Japanese music video, generate the song in one pass with no splitting into segments, and the agent is free to search online for a better approach. Everything else — shot breakdown, scenes, editing rhythm — is left entirely to the tool-equipped agent to decide. It's a sample of handing creation over to the workflow instead of the prompt.
帮我用 Kling MCP Elements 里的 Girl A 和 Girl B 制作一支一分钟的日语音乐视频。完整生成一首一分钟的日语歌曲，不要拆分成多段。你也可以上网搜索更适合制作音乐视频的技巧或方法。使用 Kling MCP。
請幫我用 Kling MCP Elements 裡的 Girl A 和 Girl B，製作一支一分鐘的日語MV。完整生成一首一分鐘的日語歌曲，不要拆分成多段生成。你也可以上網搜尋更適合用來製作MV的技巧或方法。使用 Kling MCP。
Help me create a 1-minute Japanese music video using Girl A and Girl B from the Kling MCP Elements. Generate a complete 1-minute Japanese song without splitting it into segments. You may also search online for any skills or approaches better suited to making music videos. Use the Kling MCP.
Kling MCP Elements의 Girl A와 Girl B를 사용해 1분짜리 일본어 뮤직비디오 제작 도와줘. 1분 분량 일본어 노래를 여러 구간으로 나누지 말고 완전한 한 곡으로 생성. 뮤직비디오 제작에 더 적합한 기법이나 방법이 있으면 인터넷 검색해도 됨. Kling MCP 사용.
✍️ Editor’s Notes
This isn't a prompt written for a video model — it's a work order handed to a tool-equipped agent. It specifies the two characters already stored in Kling MCP Elements, asks for a one-minute Japanese MV, hard-requires the whole song to be generated in a single pass with no splitting and stitching, and closes with 'you may also search online for a better approach yourself' — which effectively hands over every decision about shot breakdown, camera setup, and editing rhythm. What actually determines the final cut is the character assets pre-stored in Elements and the chain of models sitting behind the MCP; the prompt only supplies the goal and the constraints. Replicating this approach isn't about wording — it comes down to whether you have reusable character assets on hand and a workflow that can call the generation pipeline on its own.
Want tighter control? Try this expanded version:
Using the characters Girl A and Girl B from Kling MCP Elements, create a 60-second Japanese rock MV, with both characters' appearance, hairstyles, and school uniforms staying consistent throughout the video.
First generate the complete 60-second Japanese song in a single pass, not in segments stitched together afterward: mid-tempo rock, guitar and bass driven, with the chorus lifting, female Japanese vocals.
The visuals are split into four segments:
0:00–0:15 Rehearsal room, side lighting, medium shot, both girls standing with their instruments, slight handheld sway;
0:15–0:35 Stage with a black background, alternating between a full-frontal wide shot and push-in close-ups, spotlight on both of them, cuts follow the drumbeat;
0:35–0:50 Transition through a hallway and stairwell, tracking shot from behind, natural light, tempo slows down;
0:50–1:00 Rooftop, backlit by the sunset, the two stand side by side looking at the city, ending on a wide shot.
Shots are mainly medium and wide, each shot no shorter than 3 seconds; no subtitles, no dialogue, no logos or watermarks; the instrument-playing motions must be synced to the beat.
