Fruit-Flavored Biscuit Ad — Seven Reference Assets Combined
Strawberry reference image 1, opening-composition reference video 1, slow-motion filling-burst reference video 3... 7 reference assets, each governing its own segment, generating one complete 30-second film in a single pass. An official demonstration of multi-asset-orchestrated prompting.
PROMPT · Seedance 2.5 Prompt
Create with AI明亮多彩的果味饼干广告：草莓味参考 @图片1，开场构图参考 @视频1，特写运镜参考 @视频2，慢动作夹心爆开参考 @视频3，节奏阵列与收尾文字参考 @视频4-6，一次生成完整 30 秒成片。
明亮多彩的果味餅乾廣告：草莓口味參考 @圖片1，開場構圖參考 @影片1，特寫運鏡參考 @影片2，慢動作夾心爆開參考 @影片3，節奏陣列與收尾文字參考 @影片4-6，一次生成完整 30 秒成片。
A bright and colorful fruit-flavored biscuit ad: the strawberry flavor references @image1, the opening composition references @video1, the close-up camera work references @video2, the slow-motion filling burst references @video3, and the rhythmic array shots and closing text reference @video4-6 — generated as one complete 30-second finished piece.
明るくカラフルなフルーツ味ビスケット広告:イチゴ味は@画像1を参考に、オープニングの構図は@動画1を参考に、クローズアップのカメラワークは@動画2を参考に、スローモーションでのフィリング爆発シーンは@動画3を参考に、リズミカルな配列と締めくくりのテキストは@動画4〜6を参考にして、一度で完全な30秒の完成映像を生成する。
밝고 화사한 과일맛 비스킷 광고: 딸기맛은 @image1 참고, 오프닝 구도는 @video1 참고, 클로즈업 카메라 워크는 @video2 참고, 슬로모션 필링 터짐은 @video3 참고, 리듬감 있는 배열 샷과 엔딩 텍스트는 @video4-6 참고. 완성된 30초 영상을 한 번에 생성.
✍️ Editor’s Notes
This one is almost pure reference-material scheduling instructions — there's basically no traditional adjective-driven description, subject and action are entirely outsourced to the @image/@video references, and the text's only job is laying out the order per the shot list (open/close-up/slow-mo/ending). This is the extreme end of Seedance 2.5's multi-reference-slot compositing — the model's strength is stitching reference material together in the order given, not conjuring content from nothing, so how well this kind of prompt performs depends way more on reference material quality than on text precision.
Want tighter control? Try this expanded version:
Bright, colorful fruit-biscuit ad, one continuous shot: opens on @video1's composition, biscuits drifting slowly into frame against a warm-toned background; the strawberry-filling close-up strictly matches @image1's fruit-pulp texture and rosy color; the camera then cuts to @video2's close-up camera technique, doing small push-pull moves around the biscuit's edge; moving into a slow-motion segment, referencing @video3, the biscuit-snapping and cream-filling-bursting trajectory is rendered at 200% magnified speed, with the crumb-spray detail clearly visible; then, following the pacing of @video4-6, it cuts into a product-array display, multiple biscuits neatly lined up and rotating, before the camera pulls back for the final title text fade-in, with the typeface following the reference videos' layout position; color saturation stays high throughout, lighting bright and even with no shadow dead zones, total runtime kept within 30 seconds in a single finished cut.
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