Wandering the Backrooms — Motion Preserved From Source
Keeping the original footage's motion and rhythm, but dropping the character into the Backrooms: yellow wallpaper, damp carpet, a low ceiling. A technical mashup of Backrooms urban legend and motion transfer.
PROMPT · Gemini Omni Flash Prompt
Create with AI保持主体的动作与时机完全一致。将主体置于“后室”（The Backrooms）之中：黄色花纹壁纸，潮湿发霉的地毯，低矮的天花板，头顶是一模一样的荧光灯板，空间向四面八方无限延伸，没有尽头。主体似乎并未意识到自己已经迷失。镜头感觉接近伪纪录片式的实拍画面。
保持主體的動作與時機完全一致。將主體置於後室（The Backrooms）之中：黃色花紋壁紙，潮濕發霉的地毯，低矮的天花板，頭頂是一模一樣的螢光燈板，空間向四面八方無限延伸，沒有盡頭。主體似乎並未意識到自己已經迷失。鏡頭感覺接近偽紀錄片式的實拍畫面。
Keep the subject's motion and timing exact. Place the subject in the Backrooms: yellow patterned wallpaper, damp musty carpet, low ceiling, identical fluorescent panels overhead, the space extends in every direction without end. The subject seems unaware they are lost. Camera feels found-footage adjacent.
被写体の動きとタイミングを正確に保つこと。被写体をバックルームズの中に配置する:黄色い模様の壁紙、湿ってかび臭いカーペット、低い天井、頭上には同一の蛍光灯パネルが並び、空間はあらゆる方向へと際限なく広がっている。被写体は自分が迷っていることに気づいていない様子である。カメラはファウンドフッテージに近い質感を持つ。
피사체의 동작과 타이밍을 완전히 그대로 유지한다. 피사체를 '더 백룸즈(The Backrooms)' 안에 배치한다: 노란색 패턴 벽지, 축축하고 곰팡이 핀 카펫, 낮은 천장, 머리 위로 똑같이 생긴 형광등 패널들, 공간이 사방으로 끝없이 이어진다. 피사체는 자신이 길을 잃었다는 사실을 인지하지 못하는 듯하다. 카메라는 파운드 푸티지에 가까운 느낌을 준다.
✍️ Editor’s Notes
This is a textbook instruction for a motion-preserve-plus-scene-swap edit — it opens by nailing down the constant with “Keep the subject's motion and timing exact,” and only after that describes the new scene to swap in, the backrooms. Multimodal models like Gemini Omni Flash are naturally good at this lock-one-variable-change-another editing logic. The word choice “found-footage adjacent” is clever — it's an indirect hint to keep some deliberate rawness and not over-polish it.
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