Arri 65 — an Urban Disaster VFX Piece

Seedance 2.0RealisticUrbanVFXDrone AerialTracking ShotPost-Apocalyptic12s
An urban disaster VFX piece explicitly lit with Arri Alexa 65-style high contrast. An open-book exam in disaster-film gear specification.

PROMPT · Seedance 2.0 Prompt

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This hyper-realistic urban disaster special effects film, shot with an Arri Alexa 65 camera, utilizes high-contrast lighting to create a raw, textured atmosphere, three-dimensional smoke, and a chaotic, apocalyptic rhythm. S1: A low-angle wide-angle tracking shot, filmed from a crowded street upwards, shows a gigantic, scaly snake tightly coiled around the Taipei 101 glass skyscraper, shattering its windows. S2: A close-up slides along the snake's thick scales, which rub against the building's steel structure, sparking and scattering debris. S3: A high-angle drone shot circles the top of the building, showing the snake roaring into the sky while a military helicopter fires missiles at its flanks. S4: A wide-angle shot shows a violent, multi-level explosion in the middle of the skyscraper, the snake engulfed in flames and thick black smoke.

✍️ Editor’s Notes

Uses S1/S2/S3/S4 shot numbering to break a disaster-VFX scene of a giant python coiling around Taipei 101 into four specific setups — low-angle tracking, close material glide, drone orbit, wide explosion shot. This shot-list-style writing is one of the most tightly structured in this batch, with each shot pinned down to a specific camera move and specific content. Multi-shot cutting plus large-scale explosion particle effects plus a giant creature wrapped around a building is already a strength for Seedance 2.0, and writing it as a proper shot list further narrows the model's room to improvise its way into a mistake. Naming a real camera, “Arri Alexa 65,” is also anchoring the overall texture and tone.

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