An Animator's Creative Struggle — a Three-Act Sketch
An animator throws out a sketch, picks it back up, spirals into frustration, and starts over — a three-act performance. A self-deprecating narrative of the creator's struggle.
PROMPT · Seedance 2.0 Prompt
Create with AI第一部分：一位动画师苦苦想不出创意，快被逼疯了。他把画稿扔掉，再次尝试，扯自己的胡子，重新开始。纸张被丢进垃圾桶。喜剧风格，动画风格，多场景，高水准动画。第二部分（以第一部分视频作为参考）：延续这段视频。在苦苦想不出角色创意之后，这位艺术家深吸一口气，对自己说要专心，哈罗德。然后他画出了一位美丽又酷炫、手持枪械的霸气公主。他自豪地举起画作，低声说就是这个。喜剧风格，动画风格，多场景，高水准动画。
第一部分：一位動畫師苦苦想不出點子，快被逼瘋了。他把畫稿扔掉，再次嘗試，扯自己的鬍子，重新開始。紙張被丟進垃圾桶。喜劇風格，動畫風格，多場景，高水準動畫。第二部分（以第一部分影片作為參考）：延續這段影片。在苦苦想不出角色創意之後，這位藝術家深吸一口氣，對自己說要專心，哈羅德。然後他畫出了一位美麗又酷炫、手持槍械的霸氣公主。他自豪地舉起畫作，低聲說就是這個。喜劇風格，動畫風格，多場景，高水準動畫。
Part 1: an animator is struggling to come up with ideas. it's driving him made. he throws out the drawing. tries again. pulls his beard. starts over. paper thrown into trash can. comedy. animation style. multi-scene. high end animation. Part 2 (giving it part 1 video as reference): continue this video. after struggling to come up with a concept for a character, the artist take a deep breath and say to him self to focus harold. then he draws a beautiful and cool badass princess with a gun. he holds it up proud and whispers that's it. comedy. animation style. multi-scene. high end animation.
パート1:あるアニメーターがアイデアを思いつかず苦悩している。それが原因でおかしくなりそうになる。描いた絵を投げ捨てる。もう一度試す。あごひげを引っ張る。最初からやり直す。紙をゴミ箱に投げ捨てる。コメディ。アニメーションスタイル。マルチシーン。ハイエンドなアニメーション。パート2(パート1の映像を参照として使用):この映像の続き。キャラクターのコンセプトを思いつけずに苦悩した後、アーティストは深呼吸をして自分に集中しろ、ハロルドと言い聞かせる。そして彼は、銃を持った美しくクールで格好いいプリンセスを描き上げる。彼は誇らしげにそれを掲げ、これだとつぶやく。コメディ。アニメーションスタイル。マルチシーン。ハイエンドなアニメーション。
1부: 애니메이터가 아이디어가 떠오르지 않아 괴로워하며 거의 미칠 지경이 됨. 그는 그림을 내던지고, 다시 시도하고, 자신의 수염을 잡아 뜯으며, 처음부터 다시 시작함. 종이가 쓰레기통에 버려짐. 코미디 스타일, 애니메이션 스타일, 멀티 씬, 고퀄리티 애니메이션. 2부 (1부 영상을 레퍼런스로 사용): 이 영상을 이어감. 캐릭터 아이디어를 짜내느라 고생한 끝에, 이 아티스트는 깊게 숨을 들이쉬며 스스로에게 집중하라고, 해롤드라고 되뇜. 그러고는 총을 든 아름답고 멋진 카리스마 넘치는 공주를 그려냄. 그는 자랑스럽게 그림을 들어 올리며 이거다 하고 속삭임. 코미디 스타일, 애니메이션 스타일, 멀티 씬, 고퀄리티 애니메이션.
✍️ Editor’s Notes
This one's written as a two-part continuation — Part 1 sets the emotional beat (frustration, crumpling up drafts and tossing them), Part 2 uses that first clip as reference footage to continue the story (sudden inspiration, sketching the character). It explicitly tags “comedy,” “animation style,” and “multi-scene” across both parts to keep the tone consistent. Seedance 2.0's ability to continue from a prior clip as reference is exactly what this is built for, and this kind of segmented, sequential writing is a real stress test for the model's continuity memory. It's also a technique a lot of people overlook — instead of cramming everything into one giant prompt, split it into two causally-linked segments and feed them one at a time.
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